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the artist can’t leave it behind
juxtaposing anti-story about shifting contexts and transformations
installations and sculptures
With the support of the Flemish Government
1986) is best recognized for her monumental charcoal drawings of semi-imaginary
Carole Vanderlinden ‘Nocturne’ Posture Editions the artist can’t leave itCarole Vanderlinden (1973) studied at KASK in Ghent, and lives and works in Brussels. She paints and draws. Vanderlindens paintings touch you straight away. They are direct, compact, powerful and funny. They are disarming, nod towards art history, and are at once extremely rich, but very simple. Each of her works is different to the others. Yet certain elements also recur: diagonally painted framing, plant motifs, skies and bodies of water, contrasts
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