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Indian and Western
juxtaposing anti-story about shifting contexts and transformations
A wide variety of paper is used
Hans Segers collected twenty-nine shapes originally in a long concertina-shaped picture atlas
exploring the artist’s recurring interest in these topics
Fabrice Souvereyns ‘Erased and Not Erased’ object Indian and WesternArmed with pencil, eraser and breaker knife, Fabrice Souvereyns (1995 Tongeren) creates a detailed world from intense observations and perceptions. Souvereynss young oeuvre draws inspiration from the physical world, from fauna and flora and from what is visible to humankind in the skies. In addition, more invisible themes also play a substantial role in the work. The influence of, for example, science cannot be denied, while art history also serves as
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