Pfingstrosen | Kanō Tanyū 狩野探幽 | 1602-1674 Natur um ihn abzuholen und in

um ihn abzuholen und in himmlische Gefilde zu leiten

In the hall to the left of the garden

Yamamoto Shunkyō is one of those important artists of the early 20th century who enjoyed a wealthy clientele

This emphasis on depth through the ravens and trees achieves a natural balance with the painting's height

You can quickly make out the two large gray rice bales that normally have Daikokuten written on them

Pfingstrosen | Kanō Tanyū 狩野探幽 | 1602-1674 Natur um ihn abzuholen und inThis peony painting clearly bears the signature and seal of Kan Tany, but since this master was one of the most sought after painters of the 17th century, he also had a large studio with many artists whom he trained and who were assigned tasks in large paintings. It is possible that collaborators were involved in this magnificent work. Nevertheless, much originality can be discovered in this painting. It features a very special composition that could