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Der sparsame Gebrauch von Tusche beim Malen der Zweige gibt eindeutig die rissige Rinde eines Pflaumenbaums wieder
Für die Darstellung der zarten Blüten verwendete der Maler aber einen feinen
But he was an artist like no other
Hanabusa Itchō stands out as an outsider in Japanese art history
there is no signature or any indication of a date
Paneel: Zwei Landschaften (ehemals Diptychon) | Kanō Yōsen‘in 狩野養川院 | 1753-1808 Blumen Der sparsame Gebrauch von TuscheYsen'in was the sixth head of the Kobikich studio of the Kan school in Tokyo and was in the direct service of the then shogun (as a so called oku eshi). He received several high ranks that testify to his official esteem. A professional painter of that time had to master various styles; a personal style was not in demand, especially in the Kan school. In this diptych, Ysein'in provides evidence of his mastery of Chinese ink painting, as it had been
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